Deconstructing the awesome ‘Illuminae’ with a bloodied pair of pinking sheers and a sharpened spoon

illiminaeSeriously. If Unputdownable and Awesome met and had a book baby, it would be ‘Illuminae‘ by Amie Kaufman and Jay Kristoff. If you’re wondering whether to read it, just take this as a fist-pumpingly enthusiastic, big-brass-band in the background YES!

And go away now and read.

However if, like me, you now want to dissect the story structure and see what made it mind-blowing, then read on my friend.

I think the key areas where ‘Illuminae’ shines are:

  1. Story structure cranking the tension.
  2. Plotty plot plot + plot + more plot
  3. Challenging narrative structure
  4. Characters you bleed for.

And that’s not even mentioning how often it made me laugh out loud.

I cried too. My emotional control is about equal to that of a caterpillar, so this isn’t all that unusual, but there is understated beauty in the way ‘Illuminae’ is written.

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What an assassin taught me about writing – the killer story structure of ‘Throne of Glass’

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The hype is everywhere. There’s not a YA bestseller list that doesn’t seem to have at least two books with the name Sarah J. Maas next to them. I had to investigate.

And I like to start at the beginning, look at the book that began the phenomenon.

So. Then. ‘Throne of Glass’ it was.

I picked it up with two parts excitement, one part expectation, and a dusting of cynic.

Hoping for a great read.

 

And, phew, I got it. This is a fab book. So fab, I didn’t want to just attribute its awesomeness to world-building or characters or clever writing. Because there was something else. Something more.

Tension. Timing.

Ever increasing levels of evil and excitement. Heavy-eyelids, can’t-stop-reading, catch-up-on-sleep-some-other-day kind of something more.

So after I’d read it once, I didn’t just reread it – I plotted out the entire book. What did I find?

  • Exponential increase in gruesome deaths
  • Story and character arcs
  • Kick-ass third act.

If you don’t like spoilers, stop now… otherwise…

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